ANNE DYER
Anne is a Jack of all Trades, enjoying learning a new skill so she can experiment in doing it wrong, forcing different techniques to suit her will.
In order to add another craft to her skills, her first lesson in lacemaking was respectable Torchon in 1962, since when this craft has become one of her favourites. The next thing on the pillow were solid leaves to go into a tapestry, using the method simply to control the shape. Then Anne got into wire lace in 1978 to challenge a big-headed Yank.
After they had tried all the proper people, she was invited, as the Court Jester, to make up the numbers for the first City and Guilds in Lace. In 1989, following the course, Anne became a founder member of the Westhope Group, hosting the group at her craft college in Westhope, Shropshire.
Since then, she has played general silly devils with it, using techniques based on pseudo Honiton lace. Her work is often influenced by the exhibition title or what has arisen out of doing it wrong, her motto being "try it upside down and under water".
As well as her love of lace, she has been involved in many crafts, including glass and Timbuktu Gold.
![]() Crossby Anne Dyer Copper wire and lurex cross 137x137cm | ![]() You can't stop things growingby Anne Dyer | ![]() Lineby Anne Dyer 15x180 Exhibited at Shape Shifting, 2014 |
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![]() Metamorphosisby Anne Dyer Revolving unit showing the changes from frog spawn to frog, from circle to flower in geometry and thread. Various lace methods. 60 x 30 Exhibited at Shape Shifting, 2014 | ![]() My glass shall not persuade me I am oldby Anne Dyer Design developed from study of triangles. Copper wire lace 30 x 40 x 40 Exhibited at Shape Shifting, 2014 | ![]() Child and her dogby Anne Dyer Split ply figures are a fairly recent development by Peter Collingwood and me. I love trees and was drawn to this as my site. I thought a child in its branches looked natural. The dog just wanted to be there. Split ply in cotton hauser. Exhibited at Inside Out, 2010 |
![]() Divergence of techniquesby Anne Dyer Moving in stages from conventional Torchon through variations of style and technique; adding experimental tatting, dye, foiling and embroidery. H70cm, W15cm. Exhibited at Divergence, 2008 | ![]() Full fathom fiveby Anne Dyer 'Of his eyes are pearls made’ inspired this interpretation of two pages from the sketchbook. H46cm, W152cm. Exhibited at Divergence, 2008 | ![]() Spiders in a barnby Anne Dyer Exhibited at Lace in a Barn, 2005 |
![]() Where have all the flowers goneby Anne Dyer Exhibited at Lace in a Barn, 2005 | ![]() Cleave the wood and I am thereby Anne Dyer One of a series of seven 'floorboard' hangings featured in the exhibition Exhibited at Caught by a Thread, 1999 | ![]() Wood ghostsby Anne Dyer Exhibited at Caught by a Thread, 1999 |












